Renaissance Wax Polish, 65ml - Museum grade artefact restoration & preservation

Renaissance™ wax polish was originally formulated in the British Museum research laboratories in the early 1950’s, in response to a discussion amongst museum technicians at an international conference on fine-art conservation.

In accelerated ageing tests, the British Museum scientist found that all current commercial waxes based on the usual natural waxes (beeswax and carnauba wax) contained acids which, in time, could spoil original finishes on national historic collections of furniture. He rejected them all and investigated the new so-called ‘fossil’ or micro-crystalline waxes being refined out of crude oil. With their distinct characteristics depending on their geographical origins, the new ‘man-made’ waxes could be accurately blended to meet the needs of many industries, from cosmetics and pharmaceuticals to heavy engineering. Thus, the waxes combined Nature’s best qualities with the advantages of modern technology.

The blend which emerged from that research was ‘designed’ for long-term protection of all classes of museum exhibits. At last, museum technicians and others caring for important collections could use wax polish that neither caused future conservation problems nor detracted from the intrinsic values of their treasures.

This product was quickly accepted in the international museum world and has become a universally respected standard conservation material – probably the most widely specified because of its almost unlimited uses.

Description:

• Renaissance wax is a micro-crystalline wax polish
• all purpose cleaner & polish

Features and Benefits:

• High quality cleaner/polish, used by museums, galleries and conservators.
• Will gently lift the grime and murky deposits of other polishes.
• This wax may be used on any solid surface including wood, metal, bronze marble/onyx, shell, stone, ivory, plastics, leather, paper. It is used protect armour and historic weapons from rust.
  
• The translucency of the cleaner/polish allows unlimited applications without the polish ever staining or discolouring.
• The hardness of the matured wax coating gives excellent protection against normal spillages, finger marks etc.
• Freshens colours, imparts a soft sheen.
• As with all good conservation products, the application is reversible. An application of white spirits will remove the wax.
• Renaissance wax has been safely used on all metals, gems, glass, porcelain, bone, ivory, mother-of-pearl, gilding, patinas, enamel, leather, wood, stone, polymer, clay, and on musical instruments of all descriptions.

Renaissance wax leaves no streaking, giving an excellent polished sheen. Ideal for use on polished objects which will be handled. We use it on glass, ceramics – particularly shiny black surfaces – brass and silver ware. Apart from its protective quality, it greatly enhances the object’s appearance.

If its good enough for the British Museum, the Victoria & Albert Museum, then its good enough for us all!

What makes Renaissance wax so different?

It has a crystalline structure much finer than totally natural waxes, a property that confers a highly efficient moisture resistance. Countless statues and monuments in city streets are now protected by Renaissance wax from weathering corrosion. Arms and armour, steel and kitchen equipment of brass and copper in historic house museums, are kept bright and corrosion-free.

When thinly applied and rubbed out to full lustre, the wax film is (and remains) glass-clear, with no discoloration either of the wax or the underlying surface. Renaissance wax is free from acids (pH neutral) and will not damage even sensitive materials. For example, photographs for exhibition or of historic value are waxed to protect the image from the natural acidity of hand or environmental pollutants. The wax does not stain or darken even white paper.
On furniture or wood carvings the wax delicately enhances grain or ‘flame’ patterns. It protects existing finishes such as french polish and can also be applied directly to sanded, unfinished hardwoods without need of sealers.Waxing is the last process in hand-made furniture and in the creation of wood, stone or metal sculptures. But it is the first aspect to be appreciated by hand and eye. The clarity and luster of Renaissance wax makes an instant visual appeal.
The silk-smooth touch of the matured wax film gives added pleasure, compared to the ‘drag’ of fingers leaving trails across the softer beeswax polishes.

No matter how often the wax is used there is no loss of clarity, so that fine surface detail is never obscured. Repeated use of the wax deepens the lustre, reflecting more light from surfaces and making them more ‘lively’.

There have been hundreds of enquiries from around the world asking if Renaissance wax is suitable for a specific surface or project. Invariably the answer is ‘yes’. Its unique qualities make it ideal for protecting all surfaces from environmental attack or handling. The wax is, for example, replacing the preservative oiling of arms and armour in museums. The wax film is hard and dry and does not, like oil, remain sticky and attract atmospheric acidity. Exhibits are more comfortable to handle.

Renaissance wax is used by customers in the following ways: To protect metals such as silver, brass and copper from tarnishing, on collections of all types of metals (old coins, locks and keys, arms and armour both original and replica), on both the wood and metal surfaces of vintage cars and musical instruments, on bronze sculptures inside the home and outside exposed to the elements, on marble and granite worktops to prevent staining and on smooth leather items. These are just some of the applications the wax has been used on.

Note: A test must be carried out on a small, discreet area to ensure that the wax is suitable for use on that object. Number of coats of wax needed to protect the item will vary depending on the type of surface, how frequently it is touched and location. These factors will also determine the frequency of further maintenance required.